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Profil JemSii NayKilla dan TenXi Garam & Madu

Diperbarui: 19 Nov

From Indonesia with Rhythm: How Jemsii, NayKilla & TenXi Made Gen Z Dance to Garam & Madu

If you're scrolling through TikTok or YouTube in early 2025 and come across young people in Jakarta doing a coordinated dance to a song that blends hip-hop energy with dangdut groove, chances are you’ve stumbled upon Garam & Madu (Sakit Dadaku) — the viral track by Jemsii, NayKilla and TenXi.

It’s not just a catchy hook.


It’s a cultural ripple that shows how Gen Z in Indonesia are redefining music, mixing local roots with global beats.

In this story, we step into each of their worlds: where they came from, what they’re doing… and why their sound matters beyond the surface.


1. Meet Jemsii: The Producer-Songwriter Opening Family Wounds in Harmony


Real name: James Yusufa Diraja Nugroho

Born: Jakarta, 26 September - 2003

Early project: He was one half of the duo JEJAĀ (with singer Jaz Rowe) in 2021–2022, exploring experimental pop/indie sounds.


What sets him apart

  • Jemsii isn’t just a vocalist — he writes, produces, and curates texture. For instance, he wrote the single ā€œParasitā€ in 2022 which addresses toxic family relationships.

  • He uses his personal story as raw material. In an article: ā€œKadang, luka yang nggak kelihatan justru yang paling keras bunyinya waktu dijadikan lagu.ā€ (Sometimes, the unseen wound makes the loudest noise when it’s turned into a song.)

  • His trajectory tells a young musician’s path: from indie remixes (he won a remix competition with Label Radar in 2020) to mainstream Spotify success with Garam & Madu.


Why he matters

In a music scene often dominated by commercial pop formulas, Jemsii embodies the DIY spirit and emotional honesty that younger audiences crave. He bridges the gap between ā€œI made this in my bedroomā€ and ā€œMy song is now on millions of streams.ā€



2. Meet NayKilla: The Young Voice of Doubt, Dreams & Dangdut Fusion


Real name: Nayya Rahmania

Birth: Surabaya, 02 - Januari -2003

Background: Started with cover videos on social media; released singles like ā€œBelieveā€ (2019) and ā€œDreamsā€ (2021) before hitting mainstream.

Family link: Younger sister of singer Sara Fajira (known for ā€œLathiā€). NayKilla says she learned from her sister the importance of being true to your style:

ā€œJangan takut jadi kamu sendiriā€¦ā€

What she brings

  • She writes her own lyrics, sees songwriting as therapy: ā€œNulis lagu itu semacam terapi buatku.ā€

  • Vocally, she sits between the pop-R&B space and the hip-hop/dangdut hybrid (we’ll talk about the genre in the next section).

  • Her part in Garam & MaduĀ brings the hook/melody that makes the song stick — which is crucial when you want one foot in the dance floor and the other in emotional resonance.


Why she matters

Because her journey resonates: from cover videos in your bedroom to a ā€œviralā€ track across Indonesia. That makes her relatable. And for young women in music, she embodies the ā€œwriting your own truthā€ ethos — not just singing someone else’s lyrics.



3. Meet TenXi: The Rapper-Producer Reimagining Dangdut for Gen Z


Real name: Joan Pasha Syahputra

Origin: Gresik, 06 - Januari - 2000

Role in ā€œGaram & Maduā€: Rapper, producer, co-writer of the track.

Musical identity: Pioneer of the so-called ā€œhipdutā€Ā genre — a fusion of hip-hop and dangdut.



What defines him

  • He’s the one who takes local musical heritage (dangdut, kendang rhythm, cengkok) and marries it with global urban sounds (trap beat, rap flow). The result: something both distinctly Indonesian and globally palatable.

  • His instrumentation on Garam & MaduĀ uses digital kendang, bass trap, vocal hooks that loop — making it ā€œdanceable but still has emotional weight.ā€ Narasi Tv+1

  • He’s serious about leaving behind the notion of ā€œjust local musicā€ — ā€œGue suka musik yang punya perasaan lokal, tapi tetap bisa head-to-head sama musik internasional,ā€ he said. detikcom


Why he matters

Because genre innovation is hot in 2025. Young listeners globally are bored of ā€œsame old pop,ā€ and they look for authenticity + novelty. TenXi delivers both — and in doing so, opens a door for Indonesian music on the world stage.


4. Garam & Madu (Sakit Dadaku) — The Song, The Trend, The Phenomenon

Key details

  • Released: 20 December 2024.

  • Label: AntiNRML / The Orchard / HP Music.

  • Genre: Hip-dut (hip-hop + dangdut) / trap/dangdut hybrid.

  • Achievement: By March 2025, hit 100 million streams on Spotify — reportedly the fastest Indonesian song to reach that milestone.


Why did it blow up?

  • It tapped TikTok & social media perfectly: The beat is catchy. The hook is memorable (ā€œSakit dadaku, ku mulai merinduā€¦ā€). The dance challenge format worked.

  • It blended genres in a way that felt fresh: dangdut association gives the song local identity; hip-hop/trap gives it global cred.

  • It spoke to Gen Z emotional terrain: longing, doubt, romantic tension, ambiguity. The title itself — ā€œSalt & Honey (My Chest Hurts)ā€ — suggests that love is bitter-sweet.


What it signals

  • That Indonesian music can go viral globally even if it’s not English.

  • That young musicians are comfortable mixing tradition + modernity — not choosing one over the other.

  • That ā€œnicheā€ no longer means ā€œundergroundā€ — it can hit mainstream if you hit the right tone.


5. What This Means for US Listeners & Global Music Fans

If you’re in the United States and exploring global music trends, here’s how this story matters for you:

  • It reminds us that the next wave of ā€œinternational breakoutā€ sound might come from places we overlook — not just K-pop or Afrobeats, but micro-genres like hip-dut from Indonesia.

  • It shows that authenticity wins: the more artists lean into their roots (even if with a twist), the more global listeners resonate.

  • It provides cross-cultural lessons: imagine a Nashville artist fusing country with trap; TenXi/NayKilla/Jemsii did that with dangdut + hip-hop.

  • So if you’re a creator, musician, or fan: pay attention. Tools like Spotify, TikTok, YouTube have flattened borders. If the hook is right, anywhere can blow up.


6. What’s Next for Them?

  • Jemsii: Reportedly working on more productions, continuing his dual role as songwriter/producer.

  • NayKilla: Released a follow-up single ā€œKasih Aba-Abaā€Ā in April 2025, continuing the momentum. Radar Semarang

  • TenXi: Already teasing new tracks (e.g., ā€œCuri-Curiā€) with the same crew, and continuing to build hip-dut momentum. Radar Semarang


Final Thoughts

Music isn’t just about soundĀ anymore — it’s about story, identity, culture, connection.Jemsii, NayKilla and TenXi illustrate exactly that. They remind us: you can honour tradition, you can push against the formula, and you can still make a track that 100 million people stream.

ā€œIf you’re not telling your truth via your beat, someone else will use your silence as their sound.ā€

Dive into Garam & Madu, enjoy the ride, and recognise that global music is happening now — and it’s happening in languages you might not expect.

Stay curious. Stay open-eared.— HP Music (#HePiTrending)

Jika kamu ingin versi artikel Bahasa Indonesia, atau untuk negara lain (contoh: Bahasa Spanyol/LatAm, Bahasa Jepang/Japan, Bahasa Korea/K-pop crossover) — saya bisa bantu buatkan. Mau dibuatkan?

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